The Heart of a Tree
Synopsis
‘The Heart of a Tree’ contemplates the centrality of these giants of nature to the planet’s survival, and ours. Trees provide us with the very air we breathe. It is a glimpse into a future world where human beings have evolved and adapted in order to survive. Pandemics such as coronavirus are the result of humanity’s destruction of nature, according to leaders at the UN, WHO and WWF International, and the world has been ignoring this stark reality for decades. By ‘shaking the viral tree’ we have brought this pandemic upon ourselves. This film is a timely metaphor of a world turned upside down by our disregard for nature and the planet.
Clare Langan studied Fine Art at the National College of Art and Design, Dublin and with a Fulbright Scholarship, completed a film workshop at NYU. In 2017 she was awarded an Honorary Doctorate in Fine Arts from The National University of Ireland. In 2019 she became a member of Aosdana. She has represented Ireland in numerous international Biennales, including the 25th Bienal de Sao Paulo, 2002 Brazil; The Liverpool Biennial – International 2002, Tate Liverpool: Sounds and Visions, Art Film and Video from Europe, 2009, Museum of Modern Art, Tel Aviv; Singapore Biennial 2008, curated by Fumio Nanjo touring to Dojima River Biennale 2009, Osaka Japan; Busan Biennale 2010, South Korea. In 2003 Langan presented A Film Trilogy at MoMA in New York and at the RHA, Dublin.
The Floating World premiered here in 2013, where it was really well received by the jury and the audience. The jury members included Cindy Sherman, Isaac Julien, Amira Casar, Defne Ayas and Heinz Peter Schwerfel. The film went on to win the Prix Videoformes 2014 | Conseil Général du Puy de Dôme at VIDEOFORMES 2014, Clermont-Ferrand, France. It was exhibited as a 3-screen installation in VISUAL Center of Contemporary Art in 2015, and has since been exhibited in Städtische Galerie, Delmenhorst, Germany and The Tom Tompson Art Gallery, Canada, where she also exhibited The Winter of 13 Storms. The Heart of a Tree will have its world premiere at Kino Der Kunst in October 2020.
Her film Metamorphosis, 2007 won the Principle Prize at the Oberhausen International Short Film Festival, Germany. In 2007 it was exhibited at the Lyon Biennale; Houldsworth Gallery, London; Loop, Barcelona; NCA Gallery, Tokyo; Pratt Art Gallery New York and the Miguel Marcos Gallery, Barcelona. State of Suspension, 2012 was shown in Galerie Anita Beckers, Frankfurt, and The Rubicon Gallery, Dublin. She participated in the Glen Dimplex Artists’ Award 2000 at The Irish Museum of Modern Art.
Her film Flight from the City premiered at the B3 Biennale of the Moving Image 2015 in Frankfurt, before touring to Beijing and Shanghai. Jóhann Jóhannsson went on to use Flight from the City to launch his 2016 album Orphee.
In 2017 she exhibited her film The Human Flock at Lismore Castle Arts, Waterford. The film travelled to Dirimart, Istanbul July 2018, as part of The Best of Kino der Kunst curated by Heinz Peter Schwerfel. Other exhibiting artists include AES+F, Oliver Pietsch, Pierre Huyghe, Lola Gonzalez and Yael Bartana. Her film The Winter of 13 Storms was exhibited at the B3 Biennal of the Moving Image Frankfurt 2017 curated by Kelly Gordon.
In 2019 she had retrospective show at The Dock, Carrig on Shannon featuring a number of recent and older works, including The Winter of 13 Storms, 2017 and A Film Trilogy 1999-2002 from the IMMA Collection. It also included the 3-screen film installation River, with a selection of music curated by Gary Sheehan, director of The National Concert Hall. In 2019 her work was also included in, Of Music and Making, Solstice, Navan; Moving Women, Magda Danysz Gallery, Paris, Shaping Ireland, The National Gallery of Ireland, The Gifts of Tony Podesta, American University Museum, Katzen Arts Center, Washington. Recent festivals include Ritratti Di Poesia, Poetry Festival, Rome alongside the poets Kate Tempest and Ingrid de Kok, and Physical Cinema Festival, in Reykjavk. In 2020 she will have a solo show at Contemporary Irish Arts Centre, LA.
Her films and photographs are in a number of international public and private collections including IMMA, The Arts Council of Ireland, The OPW, the Tony Podesta Private Collection, Washington, and the Hugo and Carla Brown Collection, UK. She has done numerous public art commissions including NUI Maynooth, Castletown House and Rathmines Swimming pool.
I am an Irish artist and film maker whose work has been shown all over the world, including at MoMA in New York, Tate Liverpool, The Irish of Museum of Modern Art to name a few. Many of the films are in both public and private collections, and have won awards at film festivals such as Oberhausen and Kino Der Kunst.
My films bring to mind anticipatory and speculative fabulations: a type of fiction that not only manages to unfold new worlds, but also brings forth possibilities that are already contained in our own world.
“In science fiction it’s always about now,” advocates Canadian writer Margaret Atwood, adding: “What else could it be about? There is no future. There are many possibilities, but we do not know which one we are going to have.” Science fiction has always been about the present, as The Heart of a Tree perfectly illustrates. Trees are the breath of life, the living partners without whom human life would not be possible. Life in a treeless planet would mean a continuing attempt to grow trees again. Nothing would be more vital, if not sacred. The Heart of a Tree is about the very possibility of life in a damaged planet.
For 20 years my films deal with existential issues, where humanity and our relationship to the planet and climate have always been at the fore. My first trilogy – Forty Below (1999), Too Dark for Night (2001), and Glass Hour (2002) – were shot in a drowned world; in the town being consumed by the desert;, and across a molten volcanic landscape. With my 2015 film Flight from the City made for the late Icelandic composer Johann Johannsson, the camera was turned from focus on the landscape, to focus on humanity itself. Since then the work has combined elements of choreography, landscape, performance with music being a crucial element of the works. The Heart of a Tree was jointly shot by myself and Oscar nominated cinematographer Robbie Ryan. Its is the 20th film of mine we have collaborated on.
I have made films in Namibia, Iceland, at Skellig Michael, in the sky above the city of Dubai, and on the largely abandoned island of Montserrat. I started shooting in the late 1990s on 16mm film using hand-painted glass filters that operated like eyelids, later moving to unusual film stock, including black and white infra-red. Now, I am working in digital, still making provoking, urgent art about human fragility and resilience.
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country |
Ireland |
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runtime |
12:00 |
CREDITS
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Director |
Clare Langan |
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Cinematography |
Robbie Ryan |
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Choreography |
Maria Nilsson Waller |
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Key Cast |
Marcia Liu |
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Art Director |
Anna Rackard |
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Costume Design |
Judith Williams |
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Editor |
Daniel Goddard |
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Music |
Jóhann Jóhannsson |
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Voiceover |
Chris Davies |
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Dubbing Mixer |
Ben Young |
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Producer |
Stefan Arni |
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Executive Producer |
Edwina Forkin |
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Catering |
Tristan Elizabeth Gribbin |