This journey takes us back to the origins of cinema, captivating us with the use of historical filmmaking methods, stylish frames, and the characteristic text boards seen in black-and-white films. Live music performed by a pianist adds another layer, reminiscent of the old cinema where live improvisation accompanied the displayed scenes.
“Historiae vivae” is also a journey into the second half of the 20th century, evident in the graceful references to fashion, social customs, and popular ballroom dances. The patina of the past, visible in both form and content, causes us to watch these “living stories” from a distance, as if in detachment. Yet, at the same time, we are aware that they could have occurred in the past, present, or future. We watch with attention, a desire to capture the quickly passing moment, with amusement at the comedic situations, and with tenderness for human quirks.
The essence of silent cinema lay in the use of gesture and facial expressions as means of expression. “Historiae vivae” draws from this source, narrating ordinary things in a light and playful manner, transforming them into something extraordinary through the magic of the silver screen.